9-volt Tongue video megapost!!!

I'm gonna take it easy on myself for my first real post back and just make it all videos. Cop out? Yep! Whatthefuckever. As I've stated both here and here, this band was a staple of my youth. I never got to see them a shit load but their style shaped both my future tastes in music and style of playing. And the New Years Eve show I talk about here... the first couple of videos are from that... I think...maybe not... Anyway, I don't wanna toot my own horn but I like to think that I lit the fire under this bands ass just a little to start making some of this shit available.

ENJOY!

Mog Stunt Team - 555 and King of the Retards

Shit! Almost a month has gone by with out some much as a squeak around here. Better make it a tasty ass post then...

"Enigmatic Detroit, Michigan based trio, which was formed in the winter of 1995. They released two full-lengths – 1996 “555″ on Small Stone Records and “King Of The Retards” on AmRep in 1997.

Nothing was heard from them since, with some reports suggesting that the band died in a van crash and other reports suggesting that they simply changed their name to El Guapo Stuntteam." -As lifted from our friends over at "I Heart Noise"

I think this sums it up nicely (though I'm not so sure about that El Guapo Stuntteam or died in a van crash part). As you can see this band wasn't around too long but they seem to make a name for themselves within that amount of time. Especially with the whole "John Tesh is an alien" thing. I never had the chance to catch these guys live but from what I've seen through Youtube, they looked like they put on a rolickin' good time! Their song titled "Boredoms vs. Sabbath" fits as a nice description of their sound. That coupled with the covers of Kiss and Motorhead (featured in these two releases) and a heavy handed dose of Detroit influence via the Stooges and MC5.

Did I mention they dressed in homemade stuntman/astronaut costumes? It fit right along with their irreverent lyrical content. Not nearly as angular, Mog is more straight up punk rock n' roll with out being completely outta place with the rest of the AmRep fair. Still noisy, still fun. These albums have definitely aged nicely and are well worth a first or re-visit.

Here's the vid for "Boredoms vs. Sabbath":


And here's a vid for "King of the Retards":


Here's one for "Avenger":


Here's a video showing some of the "hub bub" they got from the "john Tesh is an alien" stuff:


Here's a trailer for a documentary about the "demise" of the band that will hopefully see more light of day with a dvd release:


Another, slightly different trailer can be found here: http://www.imgonnadoituntilthedayidie.com/


ENJOY!

9-Volt Tongue - It's Lonely at the Top

YYYEEEEEEEEESSSSSSSSSS!!!!!!!!!!!!!!!!!!!!

Fuck yes!!! I'm so stoked! If there was anything I could've hoped to gain from doing this blog it would've been one thing...and it's happened! Did you see the post I made a while ago? The 7" by a band called 9-Volt Tongue? The one in which I begged and pleaded for a copy of their demo tape I lost some 10 to 12 years earlier? Well, some how 9-Volts drummer (referring to himself as Navin) stumbled upon and left a comment on that post. A couple of emails back and forth later and *voila* here ya go!

"Satan Drives a T-Bird" starts with one of the best sound bites ever! It's also one of 9-Volt's catchiest and heaviest due to dynamics. A straight up heavy as hell, mid tempo rocker! Next, "Get Down and Choke on Me" brings a heavy dose of their down-tuned, swaggering punk RAWWK boogie! (as well as another classic song title!) "I Left My Jimmy Hat in Yo Butt" follows and damn it, this was the song that stuck with me the most from this for all these years. It was just so heavy and fucking raw! I remember this song always killed live! This song is pretty appropriately named I suppose... Rounding things out, "Breathing Heavy for the Wong Girls" is another perfect example of 9-Volt's signature four bar sludge punk which starts with a very Entombed "Wolverine Blues" sounding riff. Did I mention the killer fuck solo? So good!

Have you noticed how many times the word heavy was used in that last paragraph? Hmmm...

The sound quality is pretty lo-fi and the files are small but fuck it! I'll take what I can get! Besides, it punk rock at heart anyway. I'd like to thank Navin so much for checking out the blog but most of all for hooking me up with one of my favorite recordings ever! It brought back an ass load of memories and, right behind the two Jesus Lizard reunion shows I went to, made my year! Like I said before Navin, if you have any more 9-Volt Tongue recordings you'd like share we'll be here waiting...rather impatiently.

"That shit ain't mine... Don't know how it got there."

Deadclownpile - S/T

Do you like Unsane? Of course you do and so do these guys. Once again, another band that I don't know and can't find much information about. The members names aren't even listed in the credits for fucksake. Ahh well, what I have determined is that they were from Lansing, MI (maybe?) and were on the genre spanning Detroit label, Overture Records.

Like I said, Unsane-ish. Most cetainly in the way of carnival barker, bullhorn vocals and moments of plodding, cheese grater groove. Where they mainly stray is in the drum department. Where Unsane is more tribal, DCP is more straight forward and punk. I guess the same could be said for the guitars...less blues, more punk. These guys would've fit perfectly on a bill between aforementioned Unsane and maybe Drive Like Jehu.

Anyway, this cd rips and still holds up almost 15 years later. Stand out tracks are "Snap Crackle Pop", "By Design", "More", and the closer "Choke". Sure it's sort of a one trick pony but with half the songs being less than 2 minutes long, none seem to wear out their welcome really. I'm seriously amazed they didn't get more renown.

Enjoy!

Cromwell - 7" tracks

Here I go talking about shit I don't know about again. Well, in all fairness there is not much info on this band that I can find via thee ol' inter-web. I do know they came from Detroit, had only a hand full of releases (only 7" I believe) and that there are a boat load of bands that aren't them named Cromwell. I also know I saw them once amongst a swarm of old drunken polocks and really liked them. It could of been one of their last show for all I know because I don't remember getting another chance to see them again.

Cromwell started off , from what I gather, sometime in the mid-90's and kinda had a noise rock meets hardcore thing going on. Think maybe Deadguy-ish but less metal. There might be an affiliation to the Detroit band Bog Blast (maybe none more than by label). By the time I saw them with my own eyes they had a different singer/guitar player (Vince Williams of The Christpunchers and currently of Year Of The Pig). It was also this line up of the band that can be found on the split 7" with Detroit legend heavyweights Thoughts of Ionesco.

So what I present you is three 7" and, to the best of my knowledge, the extent of the bands released material. First off is their debut 7" on Anti-Music followed by their split w/ the Atlanta band Scout. Lastly is Cromwell's contribution to the above mentioned split with Thoughts of Ionesco. Overall a cool old band that, from what I can tell, never got much due beyond the confines of Detroit.

Enjoy!

9-Volt Tongue - I Eat Evil (Like A Shovel Full of Shit) b/w Foaming Anal Cleanser

Here's the 9-Volt Tongue 7" I talked about in the Jaks post. God I loved this fucking band! They were down tuned, heavy as hell, loud as fuck and, as you can tell from the titles of this 7", totally obnoxious. What every good rock band should be!

Growing up an hour and a half north of Grand Rapids didn't really make me a local so my knowledge about this band is limited. Attending shows there happened sporadically due to the long-enough drive and the memories are hazy at best due to the amount of pot smoked on the way. What I do remember (I think) is that they opened for the Jesus Lizard in Detroit once and did shows in some sketchy ass buildings and basements over by the Reptile House (as well as IN the Reptile House). Two of 9-Volts' members were from the GR punk band Wheelchair Motherfuckers as I learned here. I remember their singer, Hans, being some what small guy and best described as "wiley". I think I remember he had some weird patch of hair on his shoulder that he would expose and the bass player would lick and...umm I dunno... Must've been good pot!

Anyway, after this 7" they released an awesome 5 or 6 song cassette that I almost played til it broke and now can't find anywhere. I heard they record a full CD after that (maybe with a different singer) that went unreleased.

As always, info on this band via the internet is limited (non existent). Though a Myspace search did reveal some dumbfuck band from Battle Creek, MI that has compromised the moniker. Artist Direct had a little blurb but that was it. If you have anything to add, please leave a comment. As I stated before IF YOU CAN GET ME A COPY OF THEIR CASSETTE OR ANY OTHER RECORDED MATERIAL PLEASE CONTACT ME.

...damn I miss that tape.

Did I mention this 7" is on translucent brown vinyl with red streaks in it? If only they some how could've added corn...

...like a shovel full of shit.

Twitch - Medicine Ball

Ahhh...where to begin.

At the tender age of 13 this was easily one of my top 3 favorite bands. Right behind Nirvana and Tool I suppose. (Hey, cut some slack, I was 13 after all.) At the time Kalamazoo's Twitch was easily the most promising band playing in west Michigan, if not all of MI.

What really set Twitch apart from their proggy, art-metal leaning K-zoo brethren was their more rock based verse chorus verse song structures and the amazingly unique croon of vocalist Chris Bryers. It was heavy and original enough for the metal guys and musicians, noisy and simple enough for the grunge kids, and yet still accessible enough for the college rock crowd. I'm sure Bryers' vocals helped with the later as well. There was a warm honesty in his almost "Peter Gabriel via Satan" voice that I'm sure wet a panty or two. (If I remember correctly, the one and only time I got to see them he got hit in the face by the bra of an over enthusiastic female.)

Based on the strength of their self released "Homewrecker" EP they got signed to Grass Records. Based on the strength of that Grass release "Beaten Senseless and Giddy With Love" they got signed to RCA. What happened from there remains a mystery to most. I remember reading a review of the advanced copy of "Medicine Ball" in a local music rag. I think it even showed some art work (be it small) that I never saw again. Rumor had it that RCA could only keep one of their MI signings (the other being the one hit blunder Verve Pipe. Fucking "Freshmen"!). Subsequently, Twitch was dropped and this EP went unreleased. From the sounds of it there was a whole other albums worth of material recorded that got shit canned as well. As it seems to happen too often in situations like this, this prematurely ended a band that had yet to peak in popularity or potential.

I got this on cassette tape at one of thier (last?) shows in K-zoo. I'm not sure if it followed being dropped or if it was during them floating in label limbo. It did seem like they were selling these out of spite either way. Just a hand dubbed 90 minute tape with a Xeroxed lime green sleeve that simply read "TWITCH - Medicine Ball".

I'm throwing in their contribution to the Grass Records tribute to Frank Sinatra ("Pretty Colors") and the b-side to the Jedi 7" ("Wick") just to fatten to zip and sweeten the deal. More info on Twitch can be found here and here. "Homewrecker" and "Beaten Senseless..." are available on iTunes. I suggest you get them both. They are phenomenal. Chances are good though that if you're here getting this from me, you own both and already know that.

Philo Beddow - S/T EP

I mentioned this band a while back in the Jaks post and I'm finally getting around to posting it. Like I said in that post, I think they played that same Grand Rapids show as Jaks if I remember right. Regardless, Philo Beddow was yet another great and "unknown outside of MI" band. I remember seeing them another time at an in-store performance during one of Ann Arbor's notorious Hash Bash weekends. They had Craw stickers all over there stuff which made perfect sense. I believe they played together quite a bit. Philo Beddow definitely rock in a very similar way. Imagine Craw mixed with Quicksand maybe? Weird, right? I know but it worked well. I think they had more hooks and were overall more accessible than Craw.

Pop-Craw?!

Anyway, finding info on this band anymore is not easy. No Myspace and as you can see I had to take a picture of the cover just to present it here. I believe they had a 7" out before this that I don't have and it appears they put an album out a bunch of years later that really sounds nothing like this.

Here ya go "Knucklehead"!

My next couple of posts are gonna shed some light on some MI bands that I feel have been long over looked. I'm not sure what it is but it seems that there are so many great bands there that, for some reason, go virtually unnoticed outside that region. Lack of touring? Maybe. Lack of giving a shit? More likely. Lack of quality? No. I don't think so anyway...

Jaks - Here Lies the Body of Jaks

I first found out about Jaks the good "ol' fashioned" way... live. I saw them on (I believe) a New Years Eve show (95/96-ish?) at the Reptile House in Grand Rapids, MI opening for my local favorites at the time 9-Volt Tongue. (As a quick side note I'd like to say that I have a 9VT 7" that'll make it's way on here eventually but unfortunately I lost their killer demo tape along the way. If you some how stumble upon here and have a copy of said 9-Volt Tongue demo tape please, please, PLEASE contact me!) I remember thinking Jaks were really weird. Different from anything else, locally anyway, and also thinking they were just plain "weird". 

In retrospect, Jaks pretty much spews forth the Jesus Lizard/The Birthday Party flame just to turn around and piss it out with vinegar. No surprise that two of their recorded efforts were indeed "recorded" by the one and only Steve Albini. Live they were complexly bombastic yet sloppy and, well...creepy. I remember the drummer being really good and singer Katrina Ford doing one of the best Dave Yow vocal impersonations. Not in a "girly" way either...just period. Shit, she sounds like a dude for the most part. Only in recently discovering The Birthday Party have I noticed how much they borrowed from their sound as well. Especially in Jaks "eerier" moments. The vampire themed lyrics don't hurt those eerie aspects either. There's something strangely vaudevillian going on here...huh. 

Huh?

Anyway, these guys (and girls...sorry); alongside Morsel, Mule, Wig, and Philo Beddow (who I believe also played that same said show and will also be covered here soon); made up a pretty cool Ann Arbor, MI scene at the time. I think two (the Albini ones) of the three releases covered on this Three.One.G collection were on the tiny, short lived, Chicago noise rock label Choke Inc. Records (home to the likes of Craw and Milkmine) which makes perfect sense.

Oh yeah, I also threw in a couple of tracks I found on random compilations. One I found on itunes from a comp I couldn't find out much about. It does sound live though. The other is apparently a cover of a Sesame Street song. 

"Here" lies the body...

*Link removed*